The poetry of Erez Biton, as it found expression in his first book Minha Marokait (1967), was a landmark in Hebrew literature. The starting point for the author—the founding father of Mizrahi poetry in Israel—is his immigration to Israel from North Africa. The article follows the literary structure of the trauma of immigration in Biton’s poetry. Biton contests the attempts at entrapment and domestication that are part of the trauma of immigration and develops a critical stance toward the Ashkenazi hegemony. In this way he develops a poetic voice that opposes the Israeli sovereign, who relates to Biton as an Arab-Jew excluded from the sovereign’s narrative. For Biton’s testimony about his trauma to be accepted, he needed to crack the walls erected by the ruling universal subject of Israeli sovereignty to maintain stability of identity in the face of Biton’s trauma as a Mizrahi immigrant. These walls, which removed the “Arabness” of the Mizrahi immigrant, did not assign a place for him and thus did not allow the testimony about his trauma to be heard. The method Biton proposes to the Mizrahi for simultaneously retaining and not retaining the hyphen in “Arab-Jewish” is to carry on a pretense and use defiant language. Biton is of the opinion that the failure of the Mizrahi to penetrate the walls of Israeli sovereignty’s poetry is predictable and brought on by the attempt to form a cohesive identity. However, he suggests turning this failure into an advantage by using pretense.