Behar describes the cultural and literary strategy of Mahmoud Darwish, who experienced exile and migration more than once in his lifetime and who transferred the arena of the struggle to the region of memory. Denial and memory are at play in the “state of siege” and weigh on the poet’s ability to write. Behar sees the state of siege as evidence of the Israelis’ fear of Arab culture. Both besieger and besieged are trapped together in the same “state.” As Behar writes, Darwish reminds us of the common denominator shared by the Palestinians and the Israelis—the lack of a distinct, authentic culture.